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Unless you give us $100,000 by 5pm, he will die.' At first they thought it was a joke. The phone rings at Gayle and Kay Baker's house in the San Fernando Valley. LET THE WOMEN DO THE WORK! But when Lissa's niece, Carla, vanishes, it becomes personal for Lissa and she will stop at NOTHING to find out what happened to her.Д¬OME SEE US ON BOROADWAY! WE'RE GONNA BE THE FIRST PODCAST TO EVER PLAY BROADWAY AND YOU WANT TO BE THERE TO SEE IT! VERY LIMITED TICKETS. And when the authorities have been unwilling or unable to find them, Lissa stepped in and got the job done. For decades, indigenous women have gone missing around Lissa. Look, this is the combination of The Mafia and The Sports that you've been dying to hear us talk about, and believe me, it was worth the wait. In a nutshell: THE REAL-LIFE GUY 'THE SOPRANOS' IS BASED ON BUYS A HOCKEY TEAM FOR HIS IDIOT SON.HILARITY (AND A LOOOOOOOOT OF FIGHTING) ENSUES. But when a year goes by and Chris's only contact is sporadic emails-never a phone call-the family gets suspicious and begins to unravel the real story of what is going on. So when he emails his family to say he's giving it all up to travel the world with a, wait for it, Playboy Playmate, his family is confused, but happy for him.

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It was clear that a serial killer was on the loose and it was only a matter of time until he killed again.ДЇAM! THIS IS APPARENTLY DATELINE'S 'MOST CHILLING EPISODE'! ALSO, KEITH SWEARS, IT'S PRETTY AMAZING.Д¬hris Smith was living his dream southern California life: close family, great friends, running a small business with trusted colleague. For a local detective, the murder sounded eerily similar to other killings that had happened in the area in recent years. In the bedroom, Lamar found his girlfriend, Brandi Henderson, brutally murdered. The door to his apartment was open and his 10 month old son was screaming. On a February night in 1994, Lamar Woods came home.

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Is Travis telling the truth? As authorities look into his story-and his actions on the night in question-they realize they need to act fast to get a predator off the streets. He said he met the young woman and offered her a ride home, but en route, she got out of his care and went on with another man.

Unreliable Narrator: Though it could be applicable to many episodes, Gillian and Patrick particularly take issue with how The Impostor is told from the point of view of the criminal, and his narrative on his motivation isn't questioned in the documentary.When a young woman named Kenia vanishes after a night out with friends, a mysterious young man named Travis comes forward.

The case isn't solved, there are endless dead ends, and it becomes too depressing to enjoy.

Too Bleak, Stopped Caring: They discuss this as a problem with Making a Murderer's second season.

Tear Jerker: Patrick breaks down while trying to recap Patton Oswalt telling his daughter about her mum's death in I'll Be Gone in the Dark.

Suddenly Shouting: Gillian's impression on Marjorie Diehl in Evil Dead is of her just suddenly shouting at normal questions.

Soundtrack Dissonance: They take issue with the tendency in Oxygen documentaries to add overly dramatic music to already dramatic stories.

Particularly when she overenunciates the word.

Sesquipedalian Loquaciousness: Gillian can't get past the way Patty Peterson in The Staircase repeatedly says the word 'automobile' when referring to a car.

They both comment on the very different tone that Billy Jensen has when appearing in Death in the Mansion, on Oxygen, as opposed to his more dignified interview in HBO's I'll be Gone in the Dark.

Examples include forensic scientist Henry Lee, pathologist Werner Spitz, and behaviour analyst Laura Richards.

They often comment on the experts and talking heads who have appeared in numerous true crime documentaries.

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